Trapezium artists
Project details
Architect/Design
Kengo Kuma & Associates
Location
Taichung, Taiwan region
Opening
2025
Kvadrat solutions
Designed with the aid of cutting-edge 3D models, the solution unites over 800 trapezium-shaped Soft Cells acoustic panels upholstered in Mi Casa, specially designed assembly tables, a custom substructure and bracket system. It is installed on exterior and interior walls of the university auditorium and harmonises with seats upholstered in Revive 1.
The auditorium at Feng Chia University (FCU) integrates a pioneering Kvadrat Acoustics solution on its walls, which comprises over 800 custom Soft Cells Broadline panels with dynamic trapezium geometry. To ensure a seamless aesthetic and flawless on-site installation, it was developed using state-of-the-art 3D digital models.
On an architectural level, the solution meets the challenge of adapting to the 3D trapezium geometry envisioned by Kengo Kuma & Associates (KKAA) and the angular design language of the auditorium. Working in close collaboration with KKAA, the team at Kvadrat Acoustics achieved this goal by adopting a holistic approach which involved using data to develop custom panels, substructure, bracket system and specially designed assembly tables.
Collaboration, comprehension, immersion
On an experiential level, the solution supports effective learning. It reduces noise and enhances the intelligibility of speech, making it easier to concentrate, share knowledge, and learn. At the same time, by elevating aural and visual comfort, it elevates wellbeing for students and educators alike.
Conception, evaluation, rejection
Initially, the team developed a deconstructed version of the standard panel system. To test its viability, they created a concept mock-up. The subsequent evaluation revealed it was too complex for optimal production and installation.
“Initially, we envisioned a curtain-like, soft-textured wall in the auditorium to shape its acoustic environment. Through iterative discussions, we refined this idea by incorporating design elements from the architecture's form." Meng Wei Lai, Senior Project Manager at KKAA.
Collaboration, rationalisation, iteration
During the project's next stage, the Kvadrat Acoustics team worked with KKAA to adapt Soft Cells Broadline panels. Together, they rationalised the custom design by creating a system of blocks with four different angle variations. Once the concept model was sufficiently refined, the team started work on designing the custom substructure and bracket system.
"Acoustics are the heart of an auditorium. We wanted more than just good sound absorption - we were looking for something that would bring a sense of softness to the entire space." Mr. Kengo Kuma, Founding Architect, KKAA
Digitisation, evaluation, verification
Next, the team developed a series of 3D virtual models, including a primary model, covering every project dimension. The data the ‘digital twin’ model provided made it possible to evaluate different attachment methods, verify tolerances, and achieve exceptional accuracy.
Targeted models allowed the team to further test specifical technical aspects of the substructure and bracket system. This approach allowed for even more precise evaluation of different attachment methods, tolerances, and anticipated site conditions.
Specification, optimisation, installation
Armed with large volumes of data, the project team developed a simple process for optimal assembly and installation. They created dedicated assembly tables, one for each angle variation, which allowed for precise preassembly of the panels. Two trapezium-shaped panels were fastened together into a wedge assembly, which was then installed on the wall as a single unit.
KKAA specified the textural, soft textile Mi Casa for the panels in garden-inspired colours, reinforcing the landscape-based aesthetic and greenery seen throughout the entire building. This not only aligned the solution with the interior concept; it also accentuated the comforting sense of warmth it brings to the auditorium.
The architects chose Revive 1 for the chairs in the auditorium in earthy tones and natural shades. As a result, the seating visually harmonises with the acoustic panels. Critically, the textile also fits with the architects’ desire to repurpose recycled materials.
“The acoustic panels became the defining feature of the space. We were drawn to their texture and softness, which we felt perfectly aligned with our concept of designing in harmony with nature. The panels exceeded our expectations in both performance and texture, which played a crucial role in this project.” Mr. Kengo Kuma, Founding Architect, KKAA
Conceptualisation, visualisation, transformation
The goal from the onset was to transform the entire university campus, including the auditorium, into a garden. To achieve this vision in a new way, KKAA focused on every aspect of the interior experience, from the architectural details to the interior furnishings.
* Fixed seating in this projects were manufactured by KOTOBUKI SEATING and installed by KOTOBUKI TAIWAN.